Press Reviews - Register Guard


Music As Medicine
By Lewis Taylor Photos by Janes Shipley


Beneath a crisp, white hospital sheet, a woman’s crumpled form rises and fialls with each labored breath.She lies unconscious as her sister, bedside, comforts her with gloved hands. A few feet away, another woman sits on a black metal stool, holding a large wooden harp.

The harpist takes a moment to compose herself, looks at the woman in the bed and begins plucking the brightly coloured strings. The sound fills the room gradually, like water pouring into a glass.

The music blankets the odd angles of the room, wrapping itself around the rolling funiture and the linoleum and the clear plastic bag labeled “drip narcotic.”

As the harpist starts chanting a soft, shallow voice, the sister dabs her eyes with a tissue, and the dying woman appears to twitch her nose in response to the music in the room.

THE HARP has long been associated with the pearly gates of heaven. But for terminally ill patients at Eugene´s Sacred Heart Mecical Center and their family members, the instrument is more than an image - it´s medicine, and it works. They sang and played the harp, and my mother completely relaxed,” says Linda Kraus of Lake Oswego, who attended two bedside harp vigils at Sacred Heart while her mother, Betty Risgby, lay dying earlier this year. “It wa like a little miracle happening.”

Sister Vivian Ripp (left) and Loraine McCarthy, music thanatologists at Sacred Heart, give a harp vigil for patient Mary Rooney and her daughter, Patricia Casey.

Left: After playing the harp for more than 30 minutes, Sister Vivian Ripp consoles Patricia Casey during the vigil for her mother, Mary Rooney. Above: Vickie Harmory clings to her mother´s hand while Sister Vivian plays a Gregorian chant.

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